List of References

0 | 1 | 3 | A | B | C | D | E | F | G | H | I | L | M | N | O | P | R | S | T | U | W | Y | “
Andersen, H., & Grush, R.. (2009). A brief history of time-consciousness: Historical precursors to James and Husserl. Journal of the History of Philosophy, 47(2), 277–307.
Andrade, O. (1928). Manifesto antropófago. Revista de Antropofagia, 1, 3, 7.
Ascott, R. (1997). Consciousness reframed. Newport, UK: University of Wales College Newport.
Ascott, R. (1999). Reframing consciousness. Exeter, UK : Intellect.
Ascott, R. (2002). Interactive art. Interactive learning in museums of art and design. Retrieved from http://www.vam.ac.uk/files/file\_upload/5766\_file.pdf
Ascott, R. (2002). Behaviourist art and the cybernetic vision. In R. Packer & Jordan, K. (Eds.), Multimedia. From Wagner to virtual reality (pp. 104–120). London, UK: W. W. Norton & Company.
Ascott, R. (2007). Telematic Embrace: Visionary Theories of Art, Technology, and Consciousness. (E. Shanken, Ed.). Berkeley, CA: University of California Press.
Ascott, R. (2008). Cybernetic, Technoetic, Syncretic: The Prospect of Art. Leonardo. 41(3), 204–204. Retrieved 03/2018AD, from http://www.jstor.org/stable/20206580
Bary, L. (1991). Oswald de Andrade's Cannibalist Manifesto. Latin American Literary Review, 19(38), 35-37. Retrieved 03/2018AD, from http://corner-college.com/udb/cproK3mKYQAndrade\_Cannibalistic\_Manifesto.pdf
Bergson, H. (1994). Matter and Memory. (N. M. Paul & Palmer, W. S., Eds.). New York, NY: Zone Books.
Bolt, R. (2003). “Put-that-there”: Voice and gesture at the graphics interface. In N. Wardrip-Fruin & Montfort, N. (Eds.), The new media reader (pp. 433–440). Cambridge, MA: The MIT Press.
Bolter, J., & Grusin, R.. (1999). Remediation. Cambridge, MA: The MIT Press.
Bothwell, D., & Mayfield, M.. (1991). Notan: The dark-light principle of design. New York, NY: Dover Publications.
Brier, S. (2008). Cybersemiotics. Toronto, Canada: University of Toronto Press.
Brier, S. (2011). Cybersemiotics and the Question of Knowledge. In G. Dodig-Crnkovic & Burgin, M. (Eds.), Information and computation: Essays on scientific and philosophical understanding of foundations of information and computation (pp. 1–36). Hackensack, NJ: World Scientific Publishing.
Brier, S. (2014). Can cybersemiotics solve the paradox of transdisciplinary knowing?. Semiotics, 10, 611–641. doi:10.5840/cpsem201448
Brier, S. (2015). Finding an information concept suited for a universal theory of information. Progress in Biophysics and Molecular Biology, 119(3), 622-633.
Brito, R. (1999). Neoconcretismo: vértice e ruptura do projeto construtivo brasileiro. São Paulo, Brazil: Cosac & Naify, Espaço da Arte Brasileira.
Browning, B. (1999). The Daughters of Gandhi: Africanness, Indianness and Brazilianness in the Bahian carnival. In M. Joseph & Fink, J. (Eds.), Performing hybridity (pp. 79–95). Minneapolis, MN: University of Minnesota Press.
Calirman, C. (2009). Art and politics. Brazil, ReVista: The Harvard Review of Latin America, VIII(21), 50–52.
Carroll, J. M. (2003). HCI models, theories, and frameworks. San Francisco, CA: Morgan Kaufmann.
Chandler, D. (2007). Semiotics: The basics. New York, NY: Routledge.

Pages